Zac Bigbee was born in Taos, New Mexico where he exhibited oil paintings at several galleries and openings, studied Wing Chung style Kung Fu, and competed slam poetry. He began training in classical ballet with Amber Vasques of New York City Ballet and Megan Yackovich of Colorado Ballet at the end of his senior year. He went on to study mathematics and Russian language and culture at the University of Arizona. During this time he continued his training in dance as a scholarship student at LINES Ballet, San Francisco Conservatory, and Netherlands Dance Theater. He has also attended the Royal Danish Ballet’s Summer Course, and spent several months in Israel researching Gaga at the Suzanne Dallal Center. Beyond dance he is also a self taught Cyr wheel practitioner and has trained in aerial acrobatics in Russia under Viktoriya Zhukotzova of the Moscow State Circus.
He currently dances for cocodāco in Chicago and Zikr Dance Ensemble in Denver and serves as guest teaching faculty at Denver Ballet Theater, Tarab Retreat International and Ballet Taos. He has performed as a guest artist with Cañon Concert Ballet, Colorado Ballet and Convergence Ballet in Phoenix. Under seasonal contracts with the Russian American Foundation he provides oral and textual translation services for the Bolshoi Ballet Academy's summer schools and teacher certification program. As co-producer on the Inertia and Mechanical Nature: Movement VII projects with Ballet Taos he set original choreography, contributed to styling, marketing and visual effects while also performing.
As an artist he is captivated and enlightened by the continuously evolving mechanical and neurological perfection of classical ballet. His initial infatuation with classical dance, having now given way to a deeper, smoldering passion, has led him into a search for the essence of classicism. This search is informed by his western education in mathematics as well as visual art and recently, by exposure to classical traditions, especially movement techniques, foundational to great the civilizations from across time. There is something profoundly universal about the human experience that defies it's specificity even as it creates it. This is what he seeks to better know and share in his work with students, collaborators, and viewers in hopes that we may all become more deeply human.